Kevin Red Star | Legends of the Horse People
prayers for the vision seeker
(leading the foothills for the quest)
acrylic, mixed media on canvas
60 x 48 inches
2023
crazy dogs
(crow indian ultimate warriors—
yellowstone/elk river)
acrylic, mixed media on canvas
60 x 48 inches
2023
three tipi camp at the crazy mountains, montana
(crow indian camp)
acrylic, mixed media on canvas
48 x 60 inches
2023
war stories told
acrylic, mixed media on canvas
60 x 48 inches
private collection
black hawk
(crow indian man)
acrylic, mixed media on canvas
60 x 48 inches
2023
mountain crow shield
acrylic, mixed media on canvas
36 x 36 inches
2019
sunset crane shield
acrylic, mixed media on canvas
60 x 48 inches
2019
crow indian tipi in full moon
acrylic, mixed media on canvas
56 x 68 inches
2020
red willow
(crow indian lady)
acrylic, mixed media on canvas
20 x 20 inches
2022
young crow couple with their son
acrylic, mixed media on canvas
20 x 20 inches
2023
crow indian lady
(little river)
acrylic, mixed media on canvas
20 x 20 inches
2022
bell rock
(A maternal uncle of KRS)
oil on linen
60 x 48 inches
1990
big hail storm
acrylic, mixed media on canvas
60 x 48 inches
2021
blue dress
acrylic on canvas
44 x 40 inches
1974
crow spirit ponies
original hand-pulled lithograph
45 x 34 inches
1995
legend of the horse people
Acrylic, mixed media on acrylic horse sculpture
Approx. 80 x 65 x 31.5 inches
Private collection
Kevin Red Star
legends of the horse people
Somewhere between document and myth, Kevin Red Star’s paintings invite us to imagine the lifeway of his people, the Apsáalooke (the Crow), as it might have been in the past. Through the use of historic photographs and personal sketches from fairs and ceremonies, he documents the clothing and adornment of Apsáalooke culture, adding authenticity to his striking graphic imagery. His expert use of formal design elements like negative space, symmetry, and color lead us to modern view of a past rooted in traditional mythologies. Each figure and face is individualized—a portrait of a specific person; perhaps an ancestor, a famous Apsáalooke, a family member. In total, his work is an affirmation of the spirit of his people on their land and its persistence through history.
A member of the 1962 inaugural class of the Institute of American Indian Arts in Santa Fe, New Mexico, Red Star studied with Alan Houser, Lloyd Kiva New, and James McGrath. With training firmly rooted in Modern Art, Red Star’s paint splatters recall abstract expressionism, his background stippling evokes pointillism, his color choices lead our eye through the painting like a story. The modern meets the past and they each elevate the other.
Over the past 60 years Red Star has risen to his own eminent status in the art world, appearing in over 100 exhibits and more than 40 solo exhibits. In June of 2022, he was chosen to be the first artist to promote the theme Sacred Ground for the Norman Maclean Book Festival, a bi-annual event touching important topics of the day and blending the fields of visual arts and literature.
“Indian culture has in the past been ignored to a great extent. It is for me,
as well as for many other Indian artists, a rich source of creative expression. An intertwining of my Indian culture with contemporary art expression
has given me a greater insight concerning my art. I hope to accomplish something for the American Indian and at the same time achieve personal satisfaction in a creative statement through my art.”
— Kevin Red Star
Biography
Kevin Red Star grew up on the Crow reservation in southern Montana. A member of a highly creative family, he was known as the go-to artist for all school projects. He was chosen to be in the first group of students at the Institute of American Indian Arts in Santa Fe in the 1960s. The school provided a learning environment of tribal tradition, world art history, and current trends, and encouraged collaboration and experimentation. Red Star continued his studies at the San Francisco Art Institute.
In the decades that followed, year after year, through difficulty and triumph, grief and joy, Kevin has continued to paint. His fame has grown along with the increasing clarity and complexity of his paintings. He is known for his attention to historical detail in his depictions of warriors, ceremonies, costumes, and tipis. Each element, no matter how small, has specific meaning and significance within the context of tradition.
Above and beyond accuracy, Kevin Red Star’s deep experience is expressed in the color and composition of image after image. Each one is a complete statement in itself; each remains in the mind’s eye long after viewing it. Tipis cluster in close community, their long, graceful poles fanning out to catch the stars and sunbeams. Women gather for ceremonies in richly ornamented clothing. Warriors go forth on proud Appaloosa ponies, their bows and shields at the ready to protect their encampments. In every painting, the subject springs vividly to life, reflecting the mastery of style and technique he has gained over the course of the years.
Kevin Red Star continues to evolve and refine his art every day in his spacious studio, located near the Crow reservation in Roberts, Montana. His work is in a number of important museum collections, including The Smithsonian Institution/National Museum of the American Indian, CM Russell Museum, Heard Museum, Denver Art Museum, Eiteljorg Museum, Southwest Museum, Whitney Museum of Western Art, Institute of American Indian Arts Museum, and the United States Department of State.